How Long Does It Take To Make A Good Game?

Video games are difficult and time consuming to make. Every year, we hear of Hollywood films costing hundreds of millions of dollars, and we see credits at the end with thousands of names. Games are more complicated than that: they often require all the narrative, audio and visual prowess that films do today, and also require programming expertise on making these worlds interactive, further adding to the complexity.

But how long does it take to make a game?

“Duke Nukem Forever” reportedly took 15 years of development time. And yet, we see several games from large publishers (“Call of Duty,” “Assassin’s Creed”) get made in under a year. What’s the difference?

Continue reading

Merging 3D and 2D Animation: “Three-dimensional Proxies for Hand-Drawn Characters”

I’m surprised I didn’t see this research before, but I’m glad I have now, and wanted to quickly tell you about it.

Hand-drawn (traditional) animation and 3D (computer) animation have been separate forms for a long time. The over-abundance of computer animation has caused some people to mutter, but computer animation is easier and more effective in many ways, so some animators have tried to merge the benefits of both mediums. Oscar-winning Disney short “Paperman” is one such example of how such a style might work (still not able to replace hand-drawn in my opinion, but it comes very close and captures the general heart and soul very well).

But on this webpage, you can find a research paper by Eakta Jain (and Yaser Sheikh, Moshe Mahler, Jessica Hodgins) at Carnegie Mellon titled “Three-dimensional Proxies for Hand-Drawn Characters,” just one of several efforts made by Jain to somehow use traditional animation with modern technology. The included video shows the potential of combining 3D computer models for physics (with environments and cloth effects) with hand-drawn characters. It looks great, and was partially funded by Autodesk (creators of 3D software “Maya”) and Disney Research. Love or hate Disney, their research division really does catch on to some fantastic work.

Of course, it appears additional technical input is required on the artist’s part to make the two artworks mesh together properly, and I assume this is all pre-rendered and may have little to do with the potential in games or real time tech demos, but it looks good nonetheless.

The website I’m talking about is here: http://graphics.cs.cmu.edu/projects/threeDproxy/ . Give it a look, it might inspire you.

Hayao Miyazaki: The Anime Industry is Full Of “Otaku”

The great Japanese animator and famed director of Studio Ghibli: Hayao Miyazaki is said to be retired now, leaving his latest film “The Wind Rises” as his last piece of art. I haven’t seen it yet, but I certainly look forward to seeing it later this month.

Recently, he said in a interview that the anime industry is filled with staff who are “otaku.”

Continue reading

48 Until End of Kickstarter… Plus New Art For “James – Journey of Existence”

My Kickstarter for “James – Journey of Existence” (http://kck.st/19wTNSh) has only 25 backers so close to the end, which is a little embarrassing, when the beginning had so much promise. On the other hand, the new IndieDB page for “James – Journey of Existence” (http://www.indiedb.com/games/james-journey-of-existence) already has 4 followers after about 24 hours of being up, so it seems an easy and safe simulation of how a Kickstarter would play, given the growth in community rises at almost the same rate.

There were several things wrong with the Kickstarter campaign. One major one was the current quality of the game itself: the environments were bland, the animations were crude, and the character designs were lacking. Art is in the eye of the beholder and some have truly loved the game’s style so far, but I can’t argue with the masses. And here’s my first step in fixing that: new character designs for James!

Continue reading

What “Innovative” Means In Games…

A recent keynote presentation with former Uncharted dev Richard Lemarchand had him urge indie gamers to “make experimental games,” even at the risk of failing.

I couldn’t agree more. Indie games are, by nature, both blessed and cursed by having small teams and small budgets to work with. This makes developing large, ambitious games with high quality difficult and entirely dependent on the talent of the team, but also means that making a poor game or making a game that sells poorly isn’t as big of an issue (some indie developers risk their livelihood on their projects doing well, which no one should ever do). This means we can do things that larger companies just can’t afford to do.

Indie games will shape the industry over the next decade. Very few people can argue with this.

Continue reading